2025

This series examines the connection between my personal collections and photography. As an avid collector and photographer-explorer, I seek to compile moments, immortalize memories, and preserve time.

Within the Objects series, I photograph collections of moldy fruit and mobiles assembled from pods and branches, evoking archaeological findings or anatomical specimens. These objects speak of remnants, of what is left behind, and of the fragile and mutable nature of memory and preservation.

The chests, boxes, and books I have gathered are photographed deliberately so as not to reveal their inner contents. Like memories — or rolls of undeveloped film — they hold fragments of life that resist full comprehension, remaining partially sealed and elusive.

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Alongside these organic collections, I create totemic constructions from matchboxes, vinyl records, weekly magazines, and books. Once vessels of knowledge and culture, these now appear as fragile physical bodies, subject to the forces of gravity, time, and decay. The delicate equilibrium of these structures reflects both the fragility of cultural memory and the relentless effort to preserve knowledge against inevitable erosion.